The film follows the Paiva family living a seemingly idyllic life in 1970s Rio de Janeiro, until one night there's a knock at ...
Fernanda Torres gives a complex, Oscar-nominated performance as Brazilian activist Eunice Paiva, whose search for her ...
In Walter Salles’s Oscar-nominated film, Fernanda Torres plays a woman whose family is torn apart by Brazil’s military ...
Bigger, better, but also a bit boring. In other words, I’m still hoping that Nintendo is holding back a few surprises and weird gimmicks that haven’t been given away. If it’s not in the hardware, ...
Photo: Marc Piasecki/Getty Images for Vogue When the music industry proposed making ... And since Friday is still the custom, Tyler had fans’ undivided attention once Monday rolled around.
Every so often, a film comes along that captures tensions felt at home and abroad. Take Get Out. Premiering a month after the transition from an Obama to Trump presidency, its teardown of “post-racial ...
For these quarterback power rankings, I'm factoring in both how the quarterbacks ... to handing the ball off to Saquon Barkley. Hurts is still a dangerous double threat with the ability to make ...
This is a question asked, with just slightly shaky equanimity, by Eunice Paiva (Fernanda Torres) of a few strange men inside her home. They have already sent her husband away—“to give a ...
“I’m back. Writing this song healed me in ways I never thought possible. “It was born from a journey through pain, regret, and the courage to seek forgiveness, a reminder that even in our ...
Written and recorded between June 5 and 19, 1972, Don’t Shoot Me, I’m Just the Piano Player was released in ’72 and went to No. 1 internationally, including in the UK and on the Billboard 200.
A player hits a crazy hockey goal and more accidental wins. While 2024’s Astro Bot may be what put this adorable PlayStation mascot into the main stream, underneath Astro’s big eyes is over a ...
The new Brazilian film “I’m Still Here” begins with images often associated with ... he specializes in film and music criticism.