Omaha's John Magaro discussed the harrowing family drama, which any parent should be able to relate to, in an appearance at Sundance.

Omaha is a small, delicate film marked by few momentous narrative incidents. Yet Cole Webley’s directorial debut has something lacking from so many higher-profile and bigger-budgeted efforts, including its compatriots at this year’s Sundance Film Festival: an authentic feel for the texture,

Cole Webley's debut feature, penned by ‘The Killing of Two Lovers' writer-director Robert Machoian and premiering in competition at Sundance, follows a family road trip in the wake of shattering loss.

In Omaha, John Magaro offers a heartbreaking turn alongside a pair of talented child actors, but the film's point of view takes an odd left turn.